Editor's Note: In conjunction with his publication of his new book, "Good Prose," Pulitzer Prize winner and bestselling author Tracy Kidder and editor Richard Todd will host “Good Prose Month” on Signature.com, with the goal of bringing together the strongest voices in nonfiction to share insight into the writing and editing process with the next generation of authors. Every day during the month of January, visit Signature.com for a new Good Prose tip, lesson, or story from bestselling authors, award-winning journalists, acclaimed editors, and favorite storytellers. The conversation will continue on Twitter with a weekly #GoodProse chat about the craft of writing, hosted by selected authors from a range of nonfiction genres.
Tracy Kidder and Richard Todd on how to get started with your writing:
Writers are told that they must “grab” or “hook” or “capture” the reader. But think about these metaphors. Their theme is violence and compulsion. They suggest the relationship you might want to have with a criminal, not a reader. Montaigne writes: “I do not want a man to use his strength to get my attention.”
Beginnings are an exercise in limits. You can’t make the reader love you in the first sentence or paragraph, but you can lose the reader right away. You don’t expect the doctor to cure you at once, but the doctor can surely alienate you at once, with brusqueness or bravado or indifference or confusion. There is a lot to be said for the quiet beginning.
The most memorable first line in American literature is “Call me Ishmael.” Three words, four beats. The sentence is so well known that sometimes, cited out of context, it is understood as a magisterial command, a booming voice from the pulpit. It is more properly heard as an invitation, almost casual, and, given the complexity that follows, it is marvelously simple. If you try it aloud, you will probably find yourself saying it rather softly, conversationally.
Now go ahead, what are you waiting for?